English Translations of Cubans Writing From the Island
14ymedio, Xavier Carbonell, Salamanca, 2 January 2022 — In a calm voice, Ernesto Hernández Busto (Havana, 1968) says that, at the funeral of José Lezama Lima, an alleged spy filmed everything with a camera. The video, which no one has seen, must have been hidden in the secret archives of ICAIC [Cuban Institute of Cinematographic … Continue reading “‘To Write the Biography of Lezama is to Write a History of Cuban Culture’”
14ymedio, Xavier Carbonell, Salamanca, 21 August 2022 — In order to “stir up the anthill,” on the 45th anniversary of the death of Cuban writer José Lezama Lima (1910-1976), last Sunday the filmmaker Ernesto Fundora, at the Rosario Castellanos Bookstore of the Fund for Economic Culture, in Mexico City, screened his documentary “Lezama Lima: Soltar la … Continue reading “A Documentary Rescues the Writer Lezama Lima from the Clutches of the Cuban Regime”
Almost thirty years after the fall of the communist bloc, the Cuban writer José Lezama Lima is still dealing with “Moscow” through the ongoing influence of the Soviet Union, to which he himself fell victim, dying after having been ostracized after the principles of dialectical materialism were brought to bear on him. Though long dead and … Continue reading “Lezama Lima vs. Moscow / Francis Sanchez”
FROM “THE FLIGHT OF THE CAT”* TO YOUR MOTHER’S TWAT** Orlando Luis Pardo Lazo There’s the lyrical Lezama Lima, of unintelligible flight, before whose spirals we bow because to read them would be in vain, and a pain. And good for us. That Lezamian lyricism never had much success, except for quoting and thus accumulating … Continue reading “A LEZAMA FOR MOPPING (DUPING) / Orlando Luis Pardo Lazo”
14ymedio, Xavier Carbonell, Salamanca, January 6, 2024 — “Down with the apolitical writers! Down with the supermen of literature!” “Their original sin: they are not authentically revolutionary.” “Outside the Revolution, no rights.” The law of eternal return presides over the tension between the intellectuals and communism. Guevara repeats Castro, and Castro repeats Stalin or Mao. … Continue reading “‘Writers and Artists Under Communism’, a Chronicle About the Cuban Government’s Hatred of Culture”
14ymedio, Xavier Carbonell, Salamanca, 5 November 2023 — Only two types of objects travel, almost covertly, from my old country to my current home: books and tobacco. I spent years collecting first editions, haggling over prices with booksellers, wandering around every day — what else was there to do? – perusing open-air markets, abandoned houses, … Continue reading “Leaves and Grass”
14ymedio, Xavier Carbonell, Salamanca, 27 August 2023 – It’s been a good year for Reinaldo Arenas. A few moths after re-publishing Antes que anochezca [Before Night Falls], Tusquets rescued El mundo alucinante [Hallucinations] and its to be hoped that more of his titles return to the bookshops during the celebrations for 80 years since his birth. … Continue reading “Eternal Summer, Eternal Hell”
14ymedio, Havana, 1 January 2022 — The return of Detective Mario Conde, the adventures of Federico García Lorca in Havana and a fast-paced essay on the concentration camps on the Island marked the route of the Cuban book in 2022. 14ymedio proposes an account of the best titles from authors residing inside and outside the … Continue reading “2022, a Fertile Year Outside the Island for Books Linked to Cuba”
14ymedio, Manuel Llorente, Madrid, 14 October 2022 — Federico García Lorca’s first adventure in the Americas could not have been more beneficial for him. The young man who, with a broken heart, embarked for the United States in 1929, bore no resemblance to the man who returned to Cádiz on 30 June 1930 aboard the … Continue reading “Garcia Lorca in Cuba: Diary of a Resurrection”
By Ambrosio Fornet / See here for background information on this series of posts. 1 It seemed as if the nightmare was something from a remote past, but the truth is that when we awoke, the dinosaur was still there. We haven’t found out — and perhaps will never know — if the media folly was … Continue reading “The Five Grey Years: Revisiting the Term / Ambrosio Fornet”
Miguel Luna drawn by Abel Prieto, in Viajes de Miguel Luna. “The day that rabble gets into the UNEAC*, we’re lost.” – Abel Prieto, from his Viajes de Miguel Luna What does a Minister of Culture think about when he turns into an author? What does he aesthetically cling to and what does he judge … Continue reading “Abel Prieto’s Travels / Orlando Luis Pardo Lazo”
THE DAWN* OF WAITING Orlando Luis Pardo Lazo José Lezama Lima waited for the death of his mother before feeling guilt-free enough to publish the scandalous Paradiso. Virgilio Piñera waited to amass 18 boxes of unedited material before letting himself die of loneliness or of State Security. Dulce María Loynaz sat down, like a character … Continue reading “WWWAITING FOR THE WWWORMS / Orlando Luis Pardo Lazo”
I suspect that somewhere from the island firmament, the writer José Lezama Lima (Havana, 1910-1976) is smiling at his supporters, or winking at the editor who introduced the latest edition of his Collected Works. Our literary rhino should be happy with so many celebrations. “Seeing is believing”, he would say at one of the gatherings … Continue reading “Of Ostracism and Sanctification / Miguel Iturria Savón”
Jose Lezama Lima (1910-1976) is not gone. This is the feeling you get when you visit the museum of the master of Cuban prose in Trocadero street, in central Havana. You don’t need to be supernatural to sense the weary, asthmatic breathing of the fat Lezama while you pass through the halls of this house, … Continue reading “100 Years of the Fat One of Trocadero / Iván García”
PROSPERITY AND KINDNESS: THE OTHER SIDE OF THE COIN of the Enlightenment Marti Mirta Suquet HAVING studied in Cuba, in this world of relative certainties they built for us during the eighties, and having subsequently completed a course at the University of Havana, many doors opened in advance. The fame of Cuban university graduates is … Continue reading “collaborations from VOCES 1… / Orlando Luis Pardo Lazo”