On the island, printing presses remain paralyzed due to a lack of electricity, paper, and resources

14ymedio, Havana, April 12, 2026 — The energy crisis, which has paralyzed printing presses, suspended book launches, and reduced print runs to symbolic numbers, has left many provincial publishing houses empty and has turned the publication of a book into an exceptional event in Cuba. Against this backdrop of blackouts and paper shortages, the literary landscape of March was shaped, above all, by exile and the diaspora.
In Havana, editors and proofreaders describe a routine marked by uncertainty. Power outages force work to stop for hours, computer equipment frequently breaks down, and printing shops can barely meet even the most urgent orders. Adding to this precarious situation is the lack of transportation and fuel, which hinders the distribution of the few copies that do manage to come off the presses. Thus, the book printed on the island has become an increasingly scarce commodity.
Meanwhile, in other cultural spheres, new releases were announced that keep the discussion about Cuban identity and its intellectual legacy alive. One of the most talked-about titles in March was El Monte’s New Itineraries, by researcher Alberto Sosa, presented as the first volume dedicated entirely to the study of El Monte (1954), by the Cuban author and ethnographer Lydia Cabrera.
Considered one of the most influential texts in Caribbean cultural history, Cabrera’s book intertwines ethnobotany, popular oral and Afro-Cuban traditions, and has exercised a notable influence on disciplines as diverse as anthropology, theater, and even the science fiction literature in the region. Sosa’s work aims to examine this legacy from a contemporary perspective, highlighting its continued relevance in spiritual and medicinal practices of the Hispanic Caribbean.
Obejas’s new work “dismantles the myth and makes it flesh,” by placing its characters in recognizable Havana settings.
Another noteworthy publication this month was Humo y otros cuentos [Smoke and Other Stories], by Cuban-American writer and translator Achy Obejas. The volume brings together stories that explore memory, desire, and violence from an intimate, urban perspective. According to Puerto Rican novelist and essayist Yolanda Arroyo Pizarro, Obejas’s new work continue reading
In the realm of poetry, March was marked by the announcement of a publishing project aimed at rescuing silenced voices. Poet Katherine Bisquet reported that she is working on selecting authors for the anthology Poemas escritos en la cárcel. Desde los primeros presos de Castro hasta la Primavera Negra [Poems Written in Prison: From Castro’s First Prisoners to the Black Spring], a work in progress that seeks to highlight the literary production of Cuban political prisoners. The project aims to gather texts written under conditions of confinement and censorship, where writing became a form of resistance and a symbolic space of freedom. The initiative has sparked interest among cultural organizations and human rights defenders, who see poetry as a tool for preserving the memory of repression.
Orlando Luis Pardo Lazo presented his book ‘Olvidos y obituarios’ (Forgotten Things and Obituaries), a volume that collects chronicles and short texts characterized by their experimental and provocative style.
Also in March, in Madrid, writer and photographer Orlando Luis Pardo Lazo presented his book Olvidos y obituarios [Forgotten Things and Obituaries], a collection of chronicles and short texts characterized by their experimental and provocative style. His prose, which the author himself describes as a “vocabulary,” combines wordplay, irreverent humor, and cultural references that engage with the Cuban literary tradition. For essayist Miguel Correa, these pages embody the discourse of those marginalized by the official narrative, while critic Gustavo Pérez Firmat has noted that, behind the linguistic acrobatics, one perceives “a sadness bordering on despair.”
The contrast between the vibrant creativity abroad and the paralysis of the publishing industry on the island was starkly evident on March 31st, during the official commemoration of Cuban Book Day. The ceremony, held at the José Martí Memorial in Havana, had a tone more political than cultural. While the event commemorated the founding of the National Printing Office in 1959, the main address was delivered by Michel Torres Corona, director of the Nuevo Milenio Publishing Group and host of the television program Con Filo, who transformed the day into an exercise in ideological reaffirmation before officials from the Ideological Department of the Central Committee of the Communist Party and the Ministry of Culture.
Far from being a fiesta for readers, the event left the impression of a cultural sector trapped between material scarcity and political subservience. Bookstores with empty shelves, book fairs canceled due to power outages, and publishing houses barely operating make up the current landscape of the book industry in Cuba.
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