14ymedio, Sol Garcia Basulto, Camaguey, 22 March 2017 – Hip Hop has become that redoubt of rebellion that other musical genres, like rock and roll, used to embody. The Trakean2 Fesitval, which ended Monday in Camaguey, gave voice to performers who sing as if they were shooting truths at the public, but censorship against Cuban rapper Rashel Cervantes – known as Rapshela – who lives in Spain, overshadowed the event.
Also missing were rappers who sing their lyrics in marginal neighborhoods where the genre enjoys the greatest vitality. But that is what was decided by the Brothers Saiz Association, who organized the ninth edition of the event with 40 participating rappers, including MCs (Masters of Ceremony), breakdancers and graffiti artists. Cockfights, the improvised verbal confrontations between musicians, were the moments most appreciated by the public.
Rapshela could not appear before the public in spite of having travelled to the Island for the occasion. Problems with her cultural visa and reproof by the organizers prevented it.
After spending her own money for the plane ticket from Barcelona, where she lives, Rapshela ran into the cancellation of the presumed institutional promise to pay for her travel from Havana to Camaguey. She managed to arrive nevertheless, but the obstacles had not ended: as a resident abroad she did not receive authorization to appear in time.
“As soon as I arrived I went to the AHS, and the organizer [Eliecer Velazquez] told me that I could not sing because I was living abroad,” she tells this daily. Nor was the artist included in the lodging and food options that other guests enjoyed. A situation that she regrets “after four months of speaking” with the event promoters.
In a gesture of solidarity, Los Compinches, a group from Pinar del Rio, invited Rapshela to accompany them to the stage. But when the artist began to sing, the Festival organizers ordered the microphone sound lowered. A little later the spectacle came to an end.
The event generated an intense debate when other musicians and the public clamored for her to be permitted to sing, but the organizers proved inflexible. Although they declined to give their version of what happened, Eliecer Velazquez justified himself to the artist, arguing that it was the first time that he had organized a festival, and he did not know “that there was so much paperwork to do.” The promoter explained to the singer that she sought the cultural visa too late and that is why they did not grant it.
Among the attendees, many considered it absurd that a Cuban had to wait for a cultural visa to appear in the city where she was born, so they saw what happened as censorship masked in bureaucratic delays.
The organization also had disagreements with some lyrics by the group Los Compinches, in which marijuana consumption is promoted and Cuba’s economic situation is criticized.
Before the microphones went mute, the spectators had shown great enthusiasm and repeated choruses like Don’t step on the herb, smoke it. A second song increased nervousness of the authorities when the singer explained that the video clip that accompanied the lyrics had been censored.
Joaquin Corbillon Perez, member of the group, does not explain what they did wrong although he argues that the Brothers Saiz Association is not responsible for the situation. “The guilty ones are much higher and are the ones who prohibit it,” he said.
The AHS director from Pinar del Rio, Denis Perez Acanda, also a member of Los Compinches, defended the lyrics of his song and characterized as an “act of repression” the fact that the organizers did not let Rapshela sing.
For Rapshela the problems that she suffered transcend the music scene. “The Cuban people are censored,” she says. In her opinion “rap is a weapon for expression” and “a window to liberty, but here they are scared of liberty.”
The organizer of the Havana female rap festival and manager of the Somos Mucho Más (We Are Much More) project, Yamay Mejias Hernandez, known as La Fina (The Fine One), showed her solidarity with Rapshela because “she is Cuban, Camagueyan, and has never performed in her land. What she wanted was to introduce herself and for her people to hear her.”
Mejias Hernandez, also a feminist activist, told 14ymedio about the festival’s other problems. “It needs a little more organization, maybe more coordination in the places where they hold the concerts at night.” She thinks that Cristo Park, a site intended to offer concerts, did not meet the requirements for nighttime performances.
“There have to be more theoretical events like discussions, meetings, book readings,” adds Mejias Hernandez. “They need more female presence because at this event only two female rappers appeared.” The singer asserts that throughout the Island there are many females who are connected to the genre.
Translated by Mary Lou Keel