14ymedio, Yoani Sanchez, Havana, 24 October 2016 — Several generations of Cubans have grown up watching cartoons based on the adventures of Elpidio Valdés. A Mambí – Cuban freedom fighter – friendly and popular, the character has starred in many popular sayings and some jokes repeated ad nauseam. Willing to annihilate the Spaniards with a slash of his machete, nationalist to the core and vindicator of the version of history clung to by the official discourse, this insurrectionist tried to represent Cuban identity in his picaresque rebelliousness.
The image created by the artist Denys Almaral gives an unexpected twist to the iconography created by Juan Padron. Aged, forced to sell newspapers to survive and marked by economic hardship, this Elpido Valdes of this little vignette belies the heroic tints in which he appeared in numerous shorts and feature films dedicated to the witty independence fighter.
Instead of the country for which he fought, the rogue spends his last years in a Cuba where those who live better are those who have hard currency, where the dreams of equity are a thing of the past, and where the generation that helped to build the system is a “hindrance” to the government’s desire for a monopoly.
The island is full of Elpidio Valdéses asking for alms, standing in long lines to buy the only bread they have the right to each day and dreaming of the project of this nation that led them to the countryside to shake off the yoke of a foreign power. Now, they are not subjects of the metropolis, but of the Castro regime.