The Arrogance of Cuba’s Political Police

14ymedio bigger14ymedio, Yoani Sanchez, Generation Y, Havana, 17 January 2020 — In the last decade there have been several recordings of police interrogations that Cuban activists have managed to make and bring to light. In many of them, State Security officers are heard intimidating, threatening and behaving themselves like the owners and lords of the whole country, above the law, above human life and above citizens’ rights. But the audio achieved by the photographer Javier Caso during an “interview” with the political police is invaluable as a testimony and as an X-ray of an entire era.

The Cuban, who lives in the United States and is the brother of the renowned actress Ana de Armas, recently visited the island and repeatedly contacted actress Lynn Cruz and film director Miguel Coyula. It was enough for him to meet with his friends of a lifetime to receive a summons from the Department of Immigration and Foreigners. Once there, a script was developed that was well known to dissidents, opponents and any independent journalist who has ever been summoned to this type of police trap.

The audio recorded by Caso, who by the mere fact of recording the voices on a device shows great courage, manages to convey the absurdity of the situation, the arrogance of the interrogators and that atmosphere where the individual is at the mercy of a surveillance device and control capable of ignoring the Constitution, the Criminal Code and whatever legal resolution there is on this Island. The young photographer met two men who personify the true power that controls Cuba, above deputies, ministers and presidents.

It is a grotesque and cruel face that springs from the impunity of a repressive institution that has been running freely for decades

The officials are ridiculous, they mouth barbarities such as that the Cuban police are the fifth best in the world or dare to decide who can be called an artist or not, although they themselves may not know one iota about creative expressions or contemporary art.

The great triumph of Caso is to take, with apparent naivety but with much intelligence, the conversation to a point where the seguros have to take off their masks and show the true face hidden under bureaucratic formalities and an apparent respect for order. It is a grotesque and cruel face that is born from the impunity of a repressive institution that has been running freely for decades and whose arrogance ends up opening it to ridicule in this conversation.

Since new technologies broke into the Island, there have been many testimonies (photos, audios, videos) that attest to the lack of a framework of rights in which we Cubans live, but this recording has a special merit. In addition to the quality with which one listens and the equanimity of the person being questioned to get the officials to expose themselves, this testimony causes an outrage that is not easily placated. The more we hear of it, the greater is a rage that grows and becomes a decision and a conviction: we cannot allow the political police to continue ruling Cuba.


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