An Invitation to the Pictoral Universe of I. Miranda
For a decade critics have been talking about the poetic, Baroque, telluric and zoomorphic painter Ibrahim Miranda Ramos (Pinar del Rio, 1969), who presents his swarm of metaphors in UNEAC’s Manuela Villa gallery, where he invites us to unravel his allegories on Cuba and the world through the prints of his series Punishment, Bondage and … Continue reading “An Invitation to the Pictoral Universe of I. Miranda”