CUBAN MYOPICMATOGRAPHY / Orlando Luis Pardo Lazo
TO BE MYOPIC IS TO MAKE MOVIES Orlando Luis Pardo Lazo The eyes, curved, the orbits exorbitant. The image of the world becomes amorphous and much more brimming over. A film should be shot entirely like this, from the vision of the illuminated. For instance, from the perspective of a child that suffers from overlight. … Continue reading “CUBAN MYOPICMATOGRAPHY / Orlando Luis Pardo Lazo”