Category: Translator: Regina Anavy

Río Cristal, a tourist center inaugurated in 1960, is located on Avenida Rancho Boyeros, close to one of the airports in the capital, after passing the Aqueduct of Wind. It’s on the site where, in the 18th century, a slave barracks existed, and, later, a convent for nuns. Remodeled on different occasions, it still enjoys being the choice for the people of Havana, above all those who can pay with CUCs to stay there.

The entrance is still the same, wide and shady.

The swimming pool is in great demand all year.

…surrounded by a tranquility and a vegetation that is absent in the best hotels of the city.

And, for the kids, the park.

…in particular the little castle, in good-enough shape.

Inside the same installation, not only are there unattended areas, there is also the river. According to data published on Cubanet on September 22, between 2008 and 2009, five young people drowned in the Cristal River, which borders the recreation center of the same name.

Because of the deaths and accidents. the police have put up a sign prohibiting swimming in the river, but the young continue to do it. They say it’s because they don’t have other places where they can go to have fun.

Alexander, a lifeguard at the Rio Cristal swimming pool, said that on many occasions he has had to help kids who were on the point of drowning, but he did not always arrive on time.

Ana Lidia, the mother of a child who lives in the area, asserted that the river water is very contaminated. “The time my son escaped from me and went into that filth, he contracted a staph infection.”

Iván García, with text and photos by Robin Thom, of Flickr.

Translated by Regina Anavy

If the Cuban generals had liked rock, things in Cuba might have been different. Perhaps the soldiers would not have gone out in their vulgar Russian jeeps, scissors in hand, cutting the hair of those devoted to this type of music. And they would not have had to arrest thousands of young people whose only crime was to be a fan of the songs of the Beatles, the mythical quartet from Liverpool, and send them to those concentration camps that were called the Military Units of Support for Production, more commonly known by their acronym, UMAP.

If Fidel Castro and his military court had frequently hummed “Yesterday,” or some other ballad by Led Zeppelin, and at their ranches, between beers and select rums, while they filled their mouths with shrimp and masses of fried pork, the weekends had been spent with the Rolling Stones or some other rock band of the epoch, perhaps Cuba would not have known the Gray Period in the ’70s.

Later, everything was pure cynicism. The Cuban leaders always hated rock, Western influence, books of foreign authors and the consumer market. They thought that the flock of sheep that is the Cuban people ought to be immunized against the “brutal and decadent capitalist society.”

Therefore, zero short-wave broadcasts, music, styles and foreign pleasures. They wanted those long-hair types and druggies who composed strange songs to remain very far away from the proletarian and internationalist archipelago.

When the air from the East began to blow, indicators that the “brothers in the socialist camp” were tired of collective societies, repression and unanimous thought, then the comandante and his generals decided to paint over some things.

They named a minister of culture with long hair, who perhaps in his youth had listened to prohibited music. But as soon as he entered into the martial discipline of the Communist Party, he had to trade his tastes and sing loud and clear the marches and hymns that Fidel Castro liked.

The summit of impudence was to erect a statue to John Lennon in a park in Vedado, in Havana.

And very serious and with remorseful faces, celebrate in Havana the 8th of December, the day Lennon was assassinated in New York. One of so many ways to insult peoples’ intelligence. Because when the ex-Beatle was alive, in order to listen to him, you had to be a prisoner in Cuba.

Also, they are now paying homage to the playwright Virgilio Piñera and the writer José Lezama Lima. If the comandantes and generals have demonstrated something on the island, it’s that they know how to take advantage of the figures of culture, above all after they’re dead. Although I do have one doubt.

If in the hypothetical case that the Castro dynasty lasts 100 years. would they raise statues to the poet Raúl Rivero, the blogger Yoani Sánchez or the opposition figure Oscar Elías Biscet? From a regime as surrealistic as this one, anything can be expected.

Perhaps, if the commandante and his generals had danced to rock, none of this would have happened. And our country would be enjoying democracy. It’s symptomatic, in societies that are not closed, that the leaders enjoy rock music. In Cuba it could not be different.

Iván Garcia

Translated by Regina

If bad luck had a name it would be Antonio Fonseca.  An enormous black man of almost 400 pounds, with a wide nose, sharp cheekbones and lips two fingers thick, who was born one cold, wet night in January 1981.

His mother, stark raving mad, set her husband and son on fire, when the latter was three years old. The father died. Fonseca still has visible marks on his entire body. And he still wonders what his mother’s motive was for her macabre pyromania.

Not having any family to take care of the little boy, from the age of three he lived in a state orphanage to the south of Havana, very close to the José Martí International Airport.

“In my childhood I had very few happy moments. One of them was when I was 10 and a group of us escaped from school to go watch the big planes take off and land.”

Antonio, wearing dirty, discolored, denim shorts, was seated on a wooden bench, in the shack where he lives, in the heart of Havana. On his nude torso you can see large bruises, produced by the burns of his disturbed mother.

“I don’t know the name of the woman who gave birth to me. I have never wanted to know about her; I only know that she spent many years in prison,” recounted Fonseca, while he took a drag on his cigarette.

He finished the 5th grade with great difficulty. And since he was 12 years old, the only thing he knows how to do is to commit small crimes and smoke marijuana. In spite of looking like a basketball player, he is not a violent guy. No. The three times he went to prison were for possession of drugs for his own consumption, It’s been a year since he was referred to a drug addiction clinic. But nothing helped him get better.

“I feel better when I’m high, only then can I sleep and hope for another day.”

And his eyes shine brightly. He works as a construction worker and does any work in the neighborhood, from finishing a patio and clearing debris, to filling buckets with water. Then, with the money, he buys a couple of joints at 25 pesos each. And on dark nights he feels like he’s in the clouds when he walks through Brotherhood Park, in the direction of Monte and Cienfuegos, in search of a cheap whore to calm his sexual appetites.

His minor crimes, to get some money, usually consist of stealing lightbulbs or chairs from some house. The money, of course, is destined to buy marijuana. This was Antonio Fonseca’s vicious circle. A big baby who could barely read and write. A prisoner of drugs. A sick guy whom luck avoided.

But the culmination, just a few days ago, was that in the tenement where he lives there was an over-the-top police operation. As usual, Antonio was high. And with his red, bleary eyes, he found himself accused of a violent robbery. A witness recognized him as the man who savagely beat a young person in order to steal his gold chain.

He swore to the authorities, on the mother he never new, that he was innocent. But confronted with a guy from a dissipated life with prior crimes, the police had already closed the file on the case. He remained in jail, hoping they would take him to preventive detention, where he would wait for his trial.

The prosecutor is requesting a penalty of 25 years. Without family, children or friends, Antonio Fonseca knows what fate awaits him. “No one can do anything without luck,” he used to say. He was right. Luck was never his ally.

Iván García

Translated by Regina Anavy

I saw him. It was he. He did not recognize me, engrossed as he was, in a bar on Belascoaín Street, listening to one of Orlando Contreras’ boleros, or perhaps it was La Lupe, with “Yours is Pure Theater,” on a decrepit, recycled RCA Victor record player.

It was 4:30 in the afternoon on Wednesday, September 8. An almost desert-like heat seemed to melt the asphalt in Havana. Without a drop of breeze. People were crowing into a dirty little store on Sitios Street, trying to cool off from the heat wave by drinking a tasteless juice, with a slight taste of orange.

It was the day of the Virgin of Charity. Dressed in yellow, many people were walking quickly toward the Church of the Virgin, located on Salud Street, at the corner of Manrique. At 6:00 in the evening, a procession would leave from there with the patron saint of Cuba, to walk through the streets of Central Havana.

To kill time, I sat down in a bar with a blackened mahogany counter. And as if it were a miracle of “Cachita,” when I turned my head, I saw the poet Raúl Rivero playing dice with the bard Rafael Alcides and the journalist Reinaldo Escobar.

A record player salvaged from some warehouse of useless objects offered a recital of boleros. From the two Orlandos, Contreras and Vallejo, continuing with La Lupe and Blanca Rosa Gil, up to Freddy, that voice that puts meat on the chicken.

Reinaldo and Alcides were drinking out of glasses, in no hurry, from a bottle of Caney rum, aged seven years. The plump Rivero, with closed eyes, was enjoying the music, while in his fingers a mentholated cigarette threatened to burn his hand.

I did not want to call him. I did not want to break the spell. But I swear that the man with glasses, seated with his friends among drinks, dice and boleros, was he. The poet who in his last years in Havana lived on Peñalver Street, in the La Victoria neighborhood. He had come back in disguise. To this Havana in 2009, without charms or spells. But with something to put under my pillow at night to fall asleep.

Yes, I saw Raúl Rivero. One of my journalistic icons, who for seven years directed me at the Cuba Press Agency. It was in the middle of the ’90s, until the fateful spring of 2003, when an arrogant and closed government, that did not want – and does not want – to permit ideas and poems to be published on their merits, sentenced the poet of La Victoria to 20 years in jail.

At that time I was a novice wanting to consume the world. His journalistic advice was engraved on me forever. For me, a one-hour chat with Rivero represented years of classes in any school of journalism.

One cold afternoon in the spring of 2004, he left Canaleta prison, in Ciego de Ávila, the land where in 1945 he saw the birth of a world war, recently ended. He marched into a hard exile with his native land and his friends on his back. Also his manias.

In the splendid city of Madrid, a stranger to the city and its people, to boleros and record players. For that day of the Patron Saint, he jumped over to Havana. And I discovered him seated, listening to boleros, in a bar on Belascoaín Street. It must have been a miracle of the Virgin.

Iván García

Translated by Regina