Yoani Sanchez, Havana, 10 December 2014 — The carnival was planned for days, months. The background music would slogans and false joy. The venue, the same Havana corner where the Ladies in White were called to remember the International Day of Human Rights. Meanwhile, the “corps de ballet” would consist of workers and students – taken from their workplaces and teachers – to occupy the site chosen by the activists. There would be no lack of food kiosks and some provincial towns added huge trucks dispensing beer because, in our case, instead of bread and circuses, the formula is alcohol and repression.
Then it was time for the parade. Around the Coppelia ice cream stand, in Havana, an unusual crowd of people dressed in civilian clothes caught the attention of some naïve bystanders who didn’t know if it was a line to buy an extinct product, or passionate movie buffs waiting for the Yara cinema to open. Moving their heads from side to said, like someone waiting for prey, they were wearing the clothes we all recognize as the attire of State Security when they want to go undercover, and displayed that physical state of over corpulence compared to the average Cuban. They weren’t dancing, like at carnivals, they just moved towards the women who came dressed in white and tried to shield with their bodies the act of forcing them into a police car. A macabre “corps de ballet” thus represented their choreography of reprimand.
And then the trumpet sounded, excuse me… the car horn. A small lady had managed to get to the left atrium of the heart of El Vedado. Dozens of faces turned and they spoke into the little cables hanging from their earphones. An agent, who for years infiltrated the ranks of independent journalists, unmasked without pain or glory, directed the orchestra. The loudspeakers blared previously recorded phrases, so there were no surprises nor spontaneity. The woman disappeared in seconds. The kids drank their soft drinks and Havana experienced one of the coldest days of the year. The spectacle continued for hours.
How many times as a child was I part of a carnival of repression without knowing it? What naive parties did I participate in that, in reality, were a cover for the horrors? Have those dances and street festivals also been a police operation? After this, it will be hard for me to ever enjoy a parade again.