14YMEDIO, Havana, Reinaldo Escobar, 22 July 2014 – On an unspecified date at the beginning of the twentieth century Havanans heard for the first time the sharp and contagious sound of an as yet unknown instrument, brought by Asian immigrants. It happened in the middle of a carnival parade and was played by members of a troupe called “The Good Chinese.” Soon after, the horn was brought to Santiago de Cuba where it became a main part of Santiago’s conga and was dubbed the Chinese horn.
In remarks to the press on the eve of his visit to Cuba, President Xi Jinping said, “China has sounded the trumpet for the comprehensive deepening of the reform, while Cuba is promoting the updating of its economic model.”
More than a century has passed since that memorable cultural event and another Asian wind instrument arrived in Havana today calling for a change in the rhythm. Perhaps less leisurely than that pushed by Raul Castro, characterized by the gradual introduction of slow and short movements in our society. It would be better if this were another troupe of good Chinese and not the messengers of a new authoritarianism.