14ymedio, Yoani Sanchez, Generation Y, 9 June 2016 — The woman had something. In addition to her deep voice and the passion she poured into the microphone, she had an attitude that fascinated us. When she appeared on the television screen my childish self-absorption was put on hold and I stopped running around and paid attention to her. There she was, “Lady Feeling,” the teenager who had debuted on CMQ radio, the girl who was born in the same year that the cieba tree was planted in Fraternity Park in Havana. I shut up and listened to her.
Temperament, emotion and an interpretation that went beyond good diction or memory were her hallmark. She lived each song. She was ready to fight over an infidelity, cry over a heartbreak, relish to the point of madness, or say goodbye like a woman waving her hand from threshold of any door. In the Cuban musical scene of the seventies and eighties, filled with fear and duplicity, Elena Burke was authentic, seeking neither to please nor to humor.
Others reaped the glories of the international media when that imposing and sincere lady was no longer with us, when the lady of filin had gone. But no Cuban singer has managed to improve on her interpretations of songs composed by José Antonio Méndez, Marta Valdés or César Portillo de la Luz, among the many other songwriters she gave voice to. Because with a microphone in hand and her physical volume she filled the entire screen; she was simply herself, unadorned, uncompromising, forthright.