Sadly, the above video is not subtitled, but whether or not you understand the words, you can observe Miguel Coyula and Rafael Alcides speaking.
Jorge Enrique Lage interview with Miguel Coyula (fragments) 3
Miguel Coyula: … And it’s [Rafael] Alcides for several reasons. First, because in my opinion he is the best Cuban poet alive. Pata de palo, Agradecido como un perro and Nadie are indispensable books; Especially Nadie [No one], written and censored in 1970, and that doesn’t see the light until 1993, when I read it for the first time and it hits me.
Alcides is often described as a sensualist, but his range is very wide. Take, for example, his poem “El Extraño“, which appears in the film: it is very brief, stripped of artifice, combines the existential and the political in a universal way, with an admirable economy of means.
But even if Alcides had not been able to write anything …] [… his own person is poetry; he has the gift of speech, a diaphanous word, he speaks of beauty and poetry without intellectual poses, despises politicians and yet can speak of them with poetry, to the point that the passion of his gestures makes him a force which seems more typical of the field of fiction than of the documentary.
[… probably Alcides is one of the few Cuban intellectuals of his generation (in fact, the only one I know of) who, residing on the island, has no qualms or filters when it comes to making public what he thinks. He has paid the price for his honesty with ostracism. Also contradictions and guilt coexist in his person. He gave himself up to a dream, sacrificed himself for it and accepted failure. I’ve always been interested in misfits. Alcides contained all the elements that interest me in the construction of a character. Perhaps his honesty and his nonchalance mean that the film can not find a place anywhere: neither in the diaspora nor in the intellectuals of his generation who remained on the island.
The fact that the film is indistinctly labeled “counterrevolutionary” and “communist” is something I am very pleased about.
The first thing we recorded was a four-hour interview, from which came a short web mini-series, seven chapters, titled “Rafael Alcides.” (Many people believe they have seen Nadie but what they have seen is the miniseries on YouTube that only totals twenty-nine minutes).
At first there was no theme at all, it was about Alcides talking freely, but he himself was outlining the theme of the Revolution and then we began to record more specific questions.
Site Manager’s note: Once all the fragments of this interview are translated (by different volunteers) we will unite them in order, in a single post.