14ymedio, Havana, December 26, 2019 — The Cuban presenter and influencer Alexander Otaola Casal had a meteoric rise in 2019 through his program, ¡Hola! Ota-ola, where he mixes humor, interviews, political activism and entertainment. Born in Camagüey in 1979, Otaola took his first steps as an actor at age 10 in school performances and soon after joined a group of theater aficionados in the Casa de la Cultura in the city.
As a teenager, Otaola hosted a provincial television program, Mundo de Fantasía (Fantasy World), and he also was on Radio Cadena Agramonte. For three years he was part of a group of radio actors and interpreted several childike characters. At the age of 15 he wrote two screenplays.
In 1992 he was chosen to be part of the cast of ¡No!, an adventure series, and after a year of recording in Havana, he returned to Camagüey to finish his media studies with a specialty in acting. In 1997 he joined the Conjunto Dramático de Camagüey, where he interpreted several classical characters, and two years later he decided to live permanently in Havana, where he worked at Radio Progreso and Radio Arte.
Otaola performed in several series and telenovelas, and in 1998 he requested a visa from the U.S. lottery and arrived in Miami in 2003. He worked as a waiter for five years, then a baker and had other jobs until he resumed his career in 2008, acting in soap operas and shows on Spanish television. In 2010, Otaola received an award for Best Theater Monologue of the Year, and in 2011 he obtained recognition as Best Monologue Actor in the International Festival of Short Works.
Lately, and through his program ¡Hola! Ota-ola on YouTube, he has led the movement known as the “January Halt”, which promotes cutting off remittances, telephone recharges and trips from the exile community to the Island. His audience in Cuba grows every day, and the official press avoids mentioning his work, since he is a harsh critic of the Regime in his show.
In April 2019, the program ¡Hola! Ota-ola had been on the air for two years, and according to data, more than 9,000 people were watching it every day.
Translated by Regina Anavy
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